Sir Thomas Lawrence
1769-1830 British Sir Thomas Lawrence Galleries was a notable English painter, mostly of portraits. He was born in Bristol. His father was an innkeeper, first at Bristol and afterwards at Devizes, and at the age of six Lawrence was already being shown off to the guests of the Bear as an infant prodigy who could sketch their likenesses and declaim speeches from Milton. In 1779 the elder Lawrence had to leave Devizes, having failed in business and Thomas's precocious talent began to be the main source of the family's income; he had gained a reputation along the Bath road. His debut as a crayon portrait painter was made at Oxford, where he was well patronized, and in 1782 the family settled in Bath, where the young artist soon found himself fully employed in taking crayon likenesses of fashionable people at a guinea or a guinea and a half a head. In 1784 he gained the prize and silver-gilt palette of the Society of Arts for a crayon drawing after Raphael's "Transfiguration," and presently beginning to paint in oil.
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Sir Thomas Lawrence Lord Seaforth by Thomas Lawrence oil painting


Lord Seaforth by Thomas Lawrence
Lord Seaforth by Thomas Lawrence (c.1805), courtesy Figge Art Museum, Davenport, USA
Painting ID::  59551 		Sir Thomas Lawrence
Lord Seaforth by Thomas Lawrence
Lord Seaforth by Thomas Lawrence (c.1805), courtesy Figge Art Museum, Davenport, USA
   
   
     
Sir Thomas Lawrence Portrait of Marguerite oil painting


Portrait of Marguerite
Portrait of Marguerite, Countess of Blessington, 1819.
Painting ID::  59553 		Sir Thomas Lawrence
Portrait of Marguerite
Portrait of Marguerite, Countess of Blessington, 1819.
   
   
     
Sir Thomas Lawrence Margaret oil painting


Margaret
1822 Oil on canvas, 91 x 67 cm Wallace Collection, London Famed for her looks and accomplishments, Lady Blessington presided over a literary salon at Gore House, Kensington. This portrait is said to be one of Lawrence's finest characterizations. Artist: LAWRENCE, Sir Thomas Title: Margaret, Countess of Blessington Date: 1751-1800 English , painting : portrait
Painting ID::  62820 		Sir Thomas Lawrence
Margaret
1822 Oil on canvas, 91 x 67 cm Wallace Collection, London Famed for her looks and accomplishments, Lady Blessington presided over a literary salon at Gore House, Kensington. This portrait is said to be one of Lawrence's finest characterizations. Artist: LAWRENCE, Sir Thomas Title: Margaret, Countess of Blessington Date: 1751-1800 English , painting : portrait
   
   
     
Sir Thomas Lawrence Pinkie oil painting


Pinkie
Medium Oil on canvas Dimensions Expression error: Missing operand for *148 ?? 102 cm
Painting ID::  70467 		Sir Thomas Lawrence
Pinkie
Medium Oil on canvas Dimensions Expression error: Missing operand for *148 ?? 102 cm
   
   
     
Sir Thomas Lawrence Portrait of Miss Caroline Fry oil painting


Portrait of Miss Caroline Fry
between 1820(1820) and 1830(1830) Oil on canvas 75.9 X 63.5 cm (29.88 X 25 in)
Painting ID::  72175 		Sir Thomas Lawrence
Portrait of Miss Caroline Fry
between 1820(1820) and 1830(1830) Oil on canvas 75.9 X 63.5 cm (29.88 X 25 in)
   
   
     
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     Sir Thomas Lawrence
     1769-1830 British Sir Thomas Lawrence Galleries was a notable English painter, mostly of portraits. He was born in Bristol. His father was an innkeeper, first at Bristol and afterwards at Devizes, and at the age of six Lawrence was already being shown off to the guests of the Bear as an infant prodigy who could sketch their likenesses and declaim speeches from Milton. In 1779 the elder Lawrence had to leave Devizes, having failed in business and Thomas's precocious talent began to be the main source of the family's income; he had gained a reputation along the Bath road. His debut as a crayon portrait painter was made at Oxford, where he was well patronized, and in 1782 the family settled in Bath, where the young artist soon found himself fully employed in taking crayon likenesses of fashionable people at a guinea or a guinea and a half a head. In 1784 he gained the prize and silver-gilt palette of the Society of Arts for a crayon drawing after Raphael's "Transfiguration," and presently beginning to paint in oil.

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